Mock-heroic Poetry The Rape of the Lock
Mock-epic, also known as mock-heroic poetry is a juxtaposition of trivial subject matter and grandeur epic style. From the fundamental point of view, mock-epic is nothing but the most popular neo-classical burlesque used as a double-edged satirical weapon. Batrachomyomachia, an anonymous parody, attributed to Homer, is most probably the earliest example of mock-epic genre. Alexander Pope was the central figure of Augustan Age, for his best mock-heroic poetry The Rape of the Lock, written based on a contemporary scandal. It deals with the journey from an insignificant event of cutting hair lock of a belle, to a Trojan war.
Pope’s The Rape of the Lock, published in 1712(revised version in 1714 with five cantos), is like a literary heterogeneous architecture that offers a multi-dimensional flow of phenomena. This poem nurtures the every sphere of emotions. The poem is just to bring out a serious enmity between two Catholic land lord families-the Petres and the Fermors derived from a ‘dire’ offense by the young lord Petre.
The features of The Rape of the Lock as a mock-epic, are depicted below:
- The Title: A mock-heroic poetry must be beautified with a grand title. Rape is a serious moral violation which means the seizure of a lady against his consent. In this case, Pope brought such very word to describe the possession of Belinda’s hair-lock by Baron, just to produce a mock-heroic sensation.
- Variation of Style and Subject: Mock-epic is a good example of ‘high-burlesque’. This means, the rhyme-scheme of a mock-epic would be grand but the subject would be ridiculous.
In this poem, Pope’s subject matter is insignificant but the style is very high like an epic saga. The rape of the lock is not so rich in content to fit with the epic-rhythm.
Pope’s The Rape of the Lock, a tribute to friend Caryll, is a superlative piece of mock-epic that delivers charms at first glance with its inherent intellectual tricks at its fullest, as Pope describes in his own way-“Charms strike the sight, But merit wins the soul” (in “The Rape of the Lock”).
